Nearby, another monumental canvas, âFrom Guernica to Wounded Knee,â is a Picasso-influenced take on the 1890, 7th Cavalry Regiment-led massacre.
Other pieces feature traditional imagery painted over maps, comic books, Monopoly game tablets and sheets of money.
âWhat comes up is the guilt of the stolen land and the killing of the buffalo,â Natchez says, adding that some people have been moved to tears by his work.
âWhen I was younger, I struggled to paint that, to put it out there, but as I matured as a father, grandfather and as a human being even, I really understood that it was important to show that we survived the winter. The mightier the storm, the stronger the resistance,â he says.
Comprising more than 100 works, the renowned artistâs latest endeavor, Indian Without Reservation, is a family affair, as Natchez displays alongside his sons, Viento and Gino.
âItâs a rare opportunity. Maybe I donât tell them enough, but when Iâm not around them, I brag about what theyâre doing, you know?â he says, adding that he receives as much artistic motivation from them as they do from him. âTheyâll inspire me by saying âOh, come on! Is that all you can do?ââ
This infusing of new blood is something Natchez thinks should happen naturally in events like Indian Market.
âWhat happened over the years, [was that] people started homesteading their booths and theyâve been in them for 10, 20 years and they donât want to let that corner go,â he says. âItâs the time to let the youth give us some insight, because I think your best teacher is your student.â
Where: Natchez Art Studio
201 Palace Ave.
Santa Fe, NM