Joseph Kosinski is simultaneously the most intriguing and frustrating director in Hollywood. The Tron: Legacy director is a stunning visuals craftsman, but his stories seem to lack completeness.

The greatest gift you can give your family and yourself this Christmas is a simple one: two-plus hours of silence.

The Master is competently made and beautifully acted, but there’s a larger sense that the parts do not add up to a whole.

It’s hard to find a movie that’s more thoughtful, better acted or more unique than Robot and Frank. Simply put, it’s one of the best movies of the year, and one of the best science fiction films of all time.

With a sixth place debut and only six million dollars against a 50-million dollar budget (pretty low for a 3D actioner), it’s safe to say that this film has officially bombed. Which is incredibly depressing. So, in the few days this film has left, I implore you: go see Dredd 3D.

Greetings! Art Director here with a dispatch from the world of graphic design. With some spiffy new SFR Arts Festival posters starting to go up pretty soon, I thought I’d take the opportunity to talk a bit about glitch art.

The latest from The Devil Wears Prada director David Frankle certainly knows how to deliver emotional truth, but its screenplay and milquetoast approach betray its supremely talented cast.

I’m not going to talk about the 1990 film Total Recall. The remake should be allowed to stand on its own feet and justify its existence with its own virtues. And for about 40 minutes, it does just t

Seth MacFarlane (creator of Family Guy and several other nearly identical shows) hasn’t quite made a seamless jump into films with Ted, his feature directorial debut.

On April 1, 1998, the cover of the Santa Fe Reporter underwent the most significant redesign in its then-24-year history. Now, 14 years later, we’re doing it again.