A concert program doesn’t just invent itself. Somebody has to visualize the thing and put it out there. Some programs stick with a single composer. Some take the thematic or nationalistic route, or just go with what a given set of artists may have in its repertorial bag. Still others choose challenging or suggestive juxtapositions, like the recent John Adams/Bruckner couplings by the Cleveland Orchestra at the Lincoln Center Festival. In its opening week’s five programs, the Santa Fe Chamber Music Festival offered all of the above.













