Archives, ideally, provide insight into the past. Through the information they contain, they have the potential to illuminate dark corners of shared history. Blending Archives, however, is more personal.
In regard to his decision to mine two huge gashes into the Virgin River Mesa, earth artist Michael Heizer in 1967 explained, “The position of art as a malleable barter-exchange item falters as the cumulative economic structure gluts.
Pop surrealism consists of art that is frequently loved but rarely appreciated. The movement takes pop art detritus and combines it with surrealist principles for work that includes, but is not limited to, comic books, lowrider decals, tattoos and anything else normally considered lowbrow.
Cultural objects can be inspiring—especially other cultures’ objects. They also can be easily appropriated, and it’s often hard to tell where influence ends and theft begins. That said, the two simultaneous exhibitions at Linda Durham Contemporary Art share thematic ties, stark beauty and a complicated Asia fetish.
As of the last census, Santa Fe’s median age was 40. Anecdotally—and counting tourists—it’s much older. That said, Shannon Murphy, 29, has her work cut out for her. Murphy is a member of the newly formed After Hours Alliance, whose mission statement is “connecting the younger people of Santa Fe to meaningful and relevant after-hours events.”
Follow the signs’ friendly blue walrus as it bounds from a Palace Avenue entrance, around a bend near the back corner of Milagro 139 and up a stairwell embossed with colorful clouds, black crows and sundry quotes, and you’ll find one of Santa Fe’s newest galleries. Go a little further and see that Eggman and Walrus—unlike its namesake song “I Am the Walrus,” which John Lennon wrote to thwart those looking for significance in The Beatles’ lyrics—is open to interpretation.
In 1998, Angela Simmerman Sierra was in a devastating car crash. Thought dead, she was resuscitated and brought to a Colombian emergency room where, after four days, doctors decided her wounds were too severe to be mended and sent her home to die among her family.
There’s a certain type of agony only those who are liable to pass out or throw up in pursuit of their fitness goals can appreciate. There are also those of us who can appreciate being in and out of a gym in under an hour, yet totally spent.
There’s often only a thin line between artistic process and gimmick. For Joanne Lefrak’s Past As Presence, the concepts are separate, but there’s quite a bit of both.
Upon entering Box Gallery’s large, open space, the etchings on clear panels are nearly invisible and, when they are apparent, the etch marks themselves look like grease stains caught in the light.
Elemental’s three complementary photographers—Chris McCaw, Mitch Dobrowner and Edward Ranney—all focus on nature as their subject, but without an overt environmental message. A show that invokes earth, fire, wind, water and heart, however, can’t stray too far from the Planeteers’ territory—or from fear and love.