With nearly 20 novels and some 70 short stories under her belt, NYT bestselling author Carrie Vaughn arrives in Santa Fe today for an appearance at George RR Martin’s Jean Cocteau Cinema.
In
a chat with SFR, the Golden Age series mastermind opened up about her
process, fandom and the werewolf talk-show host that has marked her
career.
What drew you to science fiction and fantasy?
I grew up with it, like a lot of people. My parents both read and watched science fiction, so I grew up watching Star Trek and Wonder Woman and The Incredible Hulk, Buck Rogers, Battlestar Galactica and
all that great '70s stuff. Also, reading Heinlen and Ray Bradbury. So
really, when I decided I really liked writing and I wanted to be a
writer, that was the milieu I wanted to be in. I really didn't want to
do anything else.
I guess the expected question is, is it harder as a woman to carve out a name for yourself in the industry?
I
haven't found that to be the case. I mean, maybe once upon a time. I
know there are still cases—depending on what sub-genre you're writing
in—where women use their initials or an ambiguous first name to hide
their gender because I think [women] who write more epic fantasy, space
opera and hard science fiction have a harder time in those areas. It's
changing, but of course, not quickly enough. Since I write more urban
fantasy and paranormal, those are areas where it's expected to see women
writers.
What is your writing process like?
I try to
do as much prep work as I can. I'm not very good at outlining. I try to
outline, but I do end up making it up as I go along. I like to know the
ending before I start—I like to know where I'm headed—so I really try
to figure out where am I going? What am I trying to do with the story?
The other thing I do that's kind of unusual is that I'm usually working
on more than one thing at a time, so I'll be writing a novel and if I
get stuck on that, then I'll switch and write a short story. Then when I
finish the short story, I'll go back to the novel. I may be writing one
novel and then planning the next. I'm always working on something;
there are no days off.
Oddly enough, it sounds a little bit like George's.
I've
been a fan of George for a long time, so it's been great to kind of get
to meet him. I was at the theater last year for a book event for one of
the anthologies that he's edited, so it'll be cool to go back there on
my own, with my own books.
You said that in 2014 you "worked on whatever the hell came to mind." Is this going to be a recurring theme this year?
Yeah,
kind of. I was between contracts last year, so I didn't really have a
deadline that was determining what I worked on. It's been kind of
unusual, because since I started publishing novels, the novel deadlines
kind of determined everything in my entire schedule and what I work on.
Lately it's been feeling more like before I had a novel published and I
could work on whatever idea popped into my head. I'm doing that a little
more now, which is a lot of fun.
What is your personal relationship with Kitty Norville like?
She's
been great. It's so funny that we talk about characters like they're
real people, but I've been writing that character for so long, that
yeah, she does feel real sometimes. I started out writing short stories
about her at least 15 years ago now, I think. So I've been writing this
character for a very long time, and she's taught me a lot about writing.
I'm a much better writer now than I was 15 years ago when I started out
with the character, and I'm grateful because she established my career
and taught me a lot.
So it's fair to say that she isn't the bane of your existence?
Oh
no [laughs]. I never thought I would be writing a 14-book series,
though. When I was starting out, I thought I'd be one of those writers
who writes a different book every time, so when I found myself writing
this long, ongoing series, that was kind of a surprise. At the same time
it's been a great challenge; how do you write that many books about the
same character and keep it interesting and keep it fresh?
What do you take away from appearances like the one you're going to be a part of in Santa Fe?
Well,
you get to meet your readers, first off. That's really gratifying. Lots
of authors have said that writing is lonely. You spend a lot of time
alone in your office with your pen or your computer, and it's easy
sometimes to think that nobody cares, that nobody's listening. So I can
come to an event like this—and I've been doing it for a long time
now—and it's always a little bit surprising that there are people there,
you know? I still walk into a room and half-expect the room to be
empty, so it always makes me really happy when people have read the
books and then they show up wanting to talk about them. It makes it much
easier to go back to the office the next day and get back to work,
because you know that people are out there and they're waiting for your
next story.
Santa Fe Reporter