Oct. 20, 2014

This Week's SFR Picks

Newsletters

Choose your newsletter(s):
* indicates required
September 23, 2014 by Joey Peters  
September 23, 2014 by Justin Horwath  
October 7, 2014 by Joey Peters  
September 24, 2014 by Enrique Limón  
September 17, 2014 by Julie Ann Grimm  

SFR Events

Special Issues

 

 
Home / Articles / Cinema / Movie Reviews /  Old Men and Young Women, Bien Sûr
movies-artist-model

Old Men and Young Women, Bien Sûr

Avoid the barftastic The Artist and the Model

September 3, 2013, 12:00 am
Rant: It’s been three months since we suffered through Gilles Bourdos’ Renoir. Now we’re served Fernando Trueba’s The Artist and the Model. Let’s end the suspense: They’re the same movie, but awful for different reasons.

The Artist and the Model’s chief problem is dullness (Renoir’s is Christa Théret’s wretched character). How can a movie that takes place in occupied France during World War II be this empty? How can a heroine (the model of the title, played by the lovely Aida Folch) who’s a freedom fighter live so easily? How can Jean Rochefort (Jean Rochefort!) be wasted in this fashion? Why is Claudia Cardinale on screen so little?

And why—WHY, I ASK YOU—does every discussion of what art is in movies like this boil down to old men extolling the virtues of nubile women? JUST ONCE I’D LIKE A MOVIE TO NOT BE ABOUT OLD WHITE MEN SLOBBERING OVER YOUNG WOMEN. JUST ONCE.

Maybe I’m being too hard on The Artist and the Model. After all, any movie that ends with a shotgun suicide can’t be all bad, can it? Sure it can, because the shotgun could have come 100 minutes earlier. (Spoiler alert!)

While we’re here, let’s re-grade Renoir to “barf.”

/Rant.

 THE ARTIST AND THE MODEL

Directed by Fernando Trueba

Jean Rochefort, Aida Folch and Claudia Cardinale are wasted

CCA Cinematheque

105 min.

R

 

comments powered by Disqus
 
Close
Close
Close