Note to makers of films such as The Bucket List, the recent Michael Douglas stinker Last Vegas and the even more recent Michael Douglas stinker And So It Goes: Land Ho! is the template for movies about older people at pivotal points in their lives. It’s sharp, funny and barely dips into sentimentality, with a pair of superb lead performances. Plus, the killer 1980s-inspired soundtrack moves the story along without treacle.

Mitch (Earl Lynn Nelson) is a retired surgeon, and Colin (Paul Eenhoorn) is his retired ex-brother-in-law. They’re single—not by choice—and they haven’t seen much of each other in years. What begins as a simple weekend at Mitch’s house turns into a weeklong Icelandic road trip.

Colin, who doesn’t have much interest in travel, has to be persuaded, but Mitch is the type of guy who doesn’t take no for an answer. Plus, he just really wants to go to Iceland. (I can’t remember why, but when he’s reading the restaurant reviews of some of Reykjavík’s finest culinary institutions, I also didn’t care anymore.)

The adventure starts off with a night in Reykjavík, and continues the following morning at the airport, picking up Mitch’s young cousin Ellen (Karrie Crouse) and her friend Janet (Elizabeth McKee). The two PhD students have been in Greenland for a month and are stopping by for a visit before heading back to the US.

Mitch is all for getting the women to buy nice clothes (their luggage was lost) before dinner, and the way he lays into them about their appearances is complete male chauvinism. But writer-directors Aaron Katz and Martha Stephens neatly sidestep the potential ick factor by having Mitch lay into Colin about his appearance in exactly the same manner. It seems a little safe, but Land Ho! isn’t about making people feel uncomfortable; it’s about two old dudes who are set in their ways, for better or worse.

With the women back to the US the following day, the rest of the movie is spent with Colin and Mitch driving into the Icelandic wilds in a Hummer. (Colin is prickly about the large vehicle.)

On the surface, nothing much happens in Land Ho! But the nothingness on the surface belies a quieter, deeper (though not much deeper) exploration of friendship. Our greatest friends, even the people we love most, can drive us nuts. For example, Mitch insists he and Colin go for a walk in the dark one night, and the two get lost and end up sleeping on the prairie. It’s one of those moments that other, lesser, movies would play up with a big fight and some misgivings about the nature of the relationship. But Land Ho! quietly gets on with things by having the men spend the next day apart, and they make up stoically by dinner time.

More than the screenplay, the performances are what make Land Ho! work so well. Nelson, a relative film newcomer, has such a natural manner of speaking that he seems as if he’s appearing in a documentary rather than a feature. Eenhoorn, an actor with considerably more film credits, is content to let Nelson’s booming voice and outsized personality take center stage, but he never seems overshadowed. In the end, Land Ho! is like a perfect visit with old chums. It’s sweet, bittersweet, and when it’s over you wish it weren’t.


Directed by Aaron Katz and Martha Stephens

With Earl Lynn Nelson and Paul Eenhoorn

CCA Cinematheque


95 min.